Empire and history writing in Britain c.1750–2012 Thomas Christiansen

Empire and history writing in Britain c.1750–2012 Thomas ChristiansenOffers both a narrative and an analysis of the influence of British imperial involvements on history writing since 1750

Transmodern examines the global dimension of modern art by tracing the crossroads of modernisms in Asia

though minority

the play tells the story of friar Albert and his seduction of a Venetian merchant’s wife by posing as the God Cupid

Alderley Edge is a sandstone ridge rising 180 metres above the Cheshire plain

His extraordinary story

was fundamentally contingent upon their relationship to and with the various indigenous communities they encountered

prepare them for painful procedures

this collection outlines the current state of recognition theory

Offers an important reconceptualisation of women’s role in aristocratic society and suggests new ways of looking at lordship and the ruling elite in the high middle ages

It offers a new and theoretically innovative account of the dynamics of multi-level governance based on a comparative study of territorial party strategies in the UK

What was the relationship between the grave sin of sodomy and the homoerotic images that fill Renaissance culture

Outlining the civil-military strategy followed by the British in Palestine