Judith Hamann: Shaking Studies Format:LPFor her first album releases as a soloist, nomadic Australian cellist and composer Judith Hamann presents two collections of her sonic inquiries into shaking and humming. Her LP, Shaking Studies, is a collection of iterative cello performance that foregrounds shaking as a generative subject. In addition to an arsenal of techniques for registrable shaking, Hamanns conception of the term emphasizes micro and macro pulsing, including tremors, vibrato,
and psych-punk units
Connecticut
an art informel painter-turned-working-craftsman who practiced in the Tobe ware manner
” based on Balinese kecak
and Lambkin’s gradual development as a solo artist—are painstakingly detailed in a sizable band history-cum-Künstlerroman by Blank Forms artistic director Lawrence Kumpf
nearly drowning out the speaker’s account of consuming chevaline intestines
The resulting score was game-like and theatrical in a manner that would come to characterize his later solo performances sans piano
Blank Forms’ sixth anthology
this aspect of the narrow-range variation in rehearing characterizes the format of the versions of the music presented here
Poësy Matters and Other Matters by Catherine Christer Hennix
Long relegated to the status of a mysterious footnote in Don’s sessionography
and completed a PhD at University of California
